The Musical Talents of Alexander Scriabin Assignment

The Musical Talents of Alexander Scriabin - Assignment Example It is important to note that the combination that brought the legato notes and staccato notes created the new performance in the Prelude Op. The notes make the tonal variation and rhythmic balances different from the Old Guard. Prelude OP. 11 is one of the admired pieces that many other composers have thought of performing because of the great composition that combined various components in music. Scriabin composition borrows its attributes from Beethoven and Mozart. Mozart and Beethoven projected short slurs with the rare crossing of lines (Chang 20). It is notable that Scriabin prolonged the slurs and crossed the lines to come up with a combination that was perfect. Critics have attributed the performance to Scriabin accident that led him to use the left hand more than the right hand (Damare 77). The notes played in the concerto are quite high and are unique because no composer or pianist had played such notes especially when using the left hand. The sterling tempo in the concerto Prelude 11 performance stunned many artists because it did not only increase its tempo towards the climax, but also the arrangement of note that created the effects. Critics observed that the tempo of the music often fluctuated but surprisingly remained stable without creating any disorder (Damare 79). The turbulent sound that streams due to the high notes played in the concerto did attract many viewers during Scriabin’s performances. Scriabin’s songs emulated Russian folk tunes, which had asymmetrical rhythms. The Preludes took the 5/8 motivic structures. Critics have observed that Scriabin concerto resembled the songs of Nikolai Rimsky-Korsakov, Igor Stravinsky, and Modest Mussorgsky (Chang 23). It is important to note that Scriabin did not perform his tunes the traditional way but incorporated the new ideas to sing notes that were higher than the traditional notes played on the piano. Scriabin used the piano to play his notes; although piano was not new to Scriabin or his audience, the concert music that he played had new notes which demonstrated a new style of performance. The Prelude OP. 11 comprises of new notes that his predecessors had not played. Scriabin’s childhood was very instrumental to his skills as a composer and a pianist. Born of a mother who was a pianist (though she died when he was one year old), Scriabin took piano lessons with Nikolai Zverev.